
I’ve been hooked on the new AMC series Rubicon, the first episode of which has not yet even aired. I’ve watched the 48-minute sneak preview of episode one on Hulu twice and I’m watching it on Comcast On Demand as I type.
There are a few things Rubicon is doing right, and it’s the same things that have made their other dramatic series’ so popular. But before we get into that, I feel obligated to note that these photos were taken with best intention from the AMC website photo gallery featuring stills from the first episode.

First and foremost is acting.
It’s good; the cast is good, they have the proper expressions and demeanor. From the main characters to the one-off roles like a clerk or security guard. No one half-asses it. Ever. Good directing wouldn’t let them. And it is that precise reason why I’m getting turned off to select shows I’ve been following casually on USA (Royal Pains and Burn Notice). Comedy, drama, romance, action; it doesn’t matter what the genre, bad acting is inexcusable. The acting in Rubicon takes it to the next level.
David, pictured above, is plagued by superstition. This quirky flaw makes his character interesting, drawing the viewer in. Will Travers, the lead character, is an insanely brilliant code breaker for David’s intelligence-based think-tank. He lost his wife and child in the attacks on 9/11. We feel for Will because we can understand the emotions of that tragic day. His facial expressions, David’s consistent avoidance of the supernatural plagues that could-be, these things are fascinating.
And it’s not just the main characters. Miles Fiedler’s character appears to have mild anxiety complex backed by hints of anti-social behavior and possibly even Asperger’s. Kale Ingram is a mysterious character whose position above David makes the viewer question his loyalties, while wondering if he plays a bigger part in a happenstance such as David’s death, if he truly has died. Mystery surrounds Rubicon, and for that it makes it easy to return for more.

Second is the music. Heavy, tension-filled strings cover the moments when Will is in deep thought. The dimension music plays is important in a series.
Take for example the scene where Will visits Maggie Young well after midnight after discovering David’s car parked in spot #13, something he would never do due to immense superstition. In this moment, the music is dominant as Will sits watching the bay. The next moment he’s at the office speaking with Maggie and there is complete silence. Original score is imperative to great television. A score like this fits with the series, is made for the series, and it consciously added at the proper moments.
Do you want to know why I’ve watched the sneak previous of Rubicon three times already and will likely watch each episode multiple times? Because the acting is par none and the score gets me every time.
These same reasons are why I continue going back to Arrested Development and Fringe, two very different shows that are both very, very good.